Tuesday, November 27, 2007
Luke Philip Frede
Monday, November 26, 2007
Kids in a Castle
Uniforms
Now speaking of other fine young men who might benefit from a school dress code....
Sunday, November 18, 2007
"If Once You Bite It You Want to Eat More of It"
After a few drinks and a nightclub (or two), we found ourselves at the Tsukiji fish market before the crack of dawn for a sushi breakfast. This is one of the largest (maybe the largest) fish market in the world and how interesting it was - acres upon acres of workmen in stands bringing in, cleaning up, and selling fresh fish/seafood of every variety (pictures 3 and 5). There was such a buzz of activity around the market - noise everywhere, small forklift-like vehicles moving boxes somewhere, and a handful of tourists like us poking around. We met a few others from the Goldman conference at this one non-descript restaurant (which I learned after the fact was called Daiwa sushi) that people "in the know" swear by. We got there at 4:30am for its 5:00am opening, which I first thought ridiculous but then (1) I saw a large line form behind us and (2) I ate the food. My camera's batteries ran out just as we got in this tiny place with nothing more than a counter for about 12 people and a couple guys cutting up fish for you. No menus, no ordering. Just sit there and eat what they bring you. One of the guys we were with spoke Japanese so that clearly helped a lot. Considering all this sushi and sushimi had just come out of the ocean, saying that it was fresh seems a wee bit obvious. Hard to fully explain how flavourful it all was, including the stuff that was still moving (some of it was). Had never really done raw fish and cold beer at the crack of dawn before, but consider me a convert. If any of you get to Tokyo, visiting the fish market and eating at any of the random little food stands there (I couldn't guess how to describe where Daiwa is) is a great choice.
Ben & Zach's Excellent Art Adventure
The whole family went and the boys really enjoyed it. They’re so used to going to museums in Chicago that it’s not a stretch for them to enjoy them here, and they’ve already gone to the big dinosaur place over in Kensington. Going to see art is a bit of a departure from these more interactive experiences, but Ben in particular was really excited. What made the Tate Modern really enjoyable for them (and us) was that they had a “family desk” that helped organize tours and activities for groups with small children. They had a “treasure hunt” that was good fun. We had to find ten different objects in ten different paintings. With each discovery you had to velcro a small representative icon into a portfolio they provided. A bowler hat from one of Magritte’s pieces was the most recognizable of the ten. Along the way we got to see lots of pretty paintings. Forget abstract, critical deconstructionist interpretations of blah, blah, blah (you should see the books section of the museum's gift shop), it’s actually not that hard to get a five-year old to notice the beautiful, colorful pieces of Matisse and Miro. Several massive Rothkos in a room of their own evoked a couple "wow"'s and Zach and I debated whether one of them was purple, red, or blue (D: All of the Above was correct). To one large installation piece with a huge shard of metal hanging from a 20-foot high rusted girder and many pieces of clay scattered underneath (???), Ben pointed to the ground and said, “that looks like poop.” Yep.
I’m really pleased that boys enjoyed the art. I hope this is one of many excursions to come.
Lost In Translation
Probably the most obvious thing an American can do these days when traveling in Tokyo is to compare his experience to the characters' in Lost in Translation, Sophia Coppola's chef d'oeuvre. Indeed, having just convened with ~ 700 other conference goers at Goldman Sachs' annual Asia hedge fund conference last week, the most pat (pattest?) line was how "different" Tokyo was from just about anywhere else us peripatetic researchers travel.
But this is one of those few instances where the conventional wisdom is not only true, it is also profoundly interesting. I've only been to Japan (and just Tokyo) twice so I wouldn't pretend to have any deep insights into this phenomenon. All I know is that I've never been somewhere with so few recognizable cultural markers, which in turn inspires such a sense of anomie - the kind that is (brilliantly) captured by Coppola and her actors. It's astounding that such a modern, wealthy city as Tokyo has so few linguistic short-cuts for Westerners (English character words, recognizable advertisements and brands, multi-lingual street signs). More so than in any other city I’ve visited has my brain struggled to latch on to something recognizable, the kind of mental shortcuts that allow us to get on with our day and not think about every step along the way. Tokyo is mentally exhausting.
The city’s massiveness is part of the phenomenon. It is, I believe, the largest urban sprawl in the world, with ~ 30 million inhabitants occupying a never-ending cityscape. During my 1.5 hour train ride from Narita Airport to "central Tokyo" (if you’ve been there, you know that concept is somewhat of a joke) I witnessed an uninterrupted agglomeration of buildings with no large parks, no fields, literally no break in the action. I've been to some of the city's tallest buildings but I've never seen the city's edge. Did Eduard Munch actually hail from Tokyo?
The simple act of taking a taxi in Tokyo encapsulates some of the key elements of this dislocation. First of all, you have no idea where you're going. The city is built on about as linear a plan as London; Baron Haussmann would have a seizure. As some of you know, I'm obsessed with maps but those two-dimensional props almost taunt you there. I take pride in my sense of direction, but in Tokyo I'm always lost; I hate being lost. Second, your taxi driver (who speaks no English) sort of knows where he's going - or maybe he doesn't. As happened a number of times during this trip, a local Japanese aide with a clear idea of where we wanted to go explained our destination to the driver for at least two whole minutes. Where I come from, an address is usually a pretty good indicator of where you want to go and if you don't know it exactly, a neighborhood will suffice to get you most of the way there. To make the whole exercise comical, WE ALWAYS HAVE A MAP of our exact destination printed off the web. However, an address and map still require minutes of pre-departure chat and the driver inevitably looks at the map a few times along the way. My favorite is when the driver slowly turns it 90 degrees four times in a row in order, I guess, to triangulate on the location. On this trip, we were taken to the wrong location only twice. And then there's ordering in restaurants.... We'll save that for an upcoming post.
This experience typically occurs with massive jet lag and a large time zone difference with home that makes connections with loved ones and colleagues hard to manage - oh so helped by the fact that standard cell phones and Blackberries don't work there. As far as I know, Tracy didn't FedEx any carpet squares to the hotel for my perusal.
For those of you who now think me (more) enthnocentric and unfit for even a Dennis Miller-quality rant, I reply that I appreciate to some degree Japan’s cultural history and it’s role within – and outside – world society and history; its island status in more than just geographic terms and its struggles – sometimes violent – in protecting a centuries-old culture that has some beautiful qualities. Not only do I know who fought in the Sino-Japanese war (and what years – do you?), I even saw that Tom Cruise movie where he somehow went from an American Wild West show to defending Japan against some of the original gaijin.
With all that, good lord, can they at least get the taxi drivers to get you where you want to go?
But this is one of those few instances where the conventional wisdom is not only true, it is also profoundly interesting. I've only been to Japan (and just Tokyo) twice so I wouldn't pretend to have any deep insights into this phenomenon. All I know is that I've never been somewhere with so few recognizable cultural markers, which in turn inspires such a sense of anomie - the kind that is (brilliantly) captured by Coppola and her actors. It's astounding that such a modern, wealthy city as Tokyo has so few linguistic short-cuts for Westerners (English character words, recognizable advertisements and brands, multi-lingual street signs). More so than in any other city I’ve visited has my brain struggled to latch on to something recognizable, the kind of mental shortcuts that allow us to get on with our day and not think about every step along the way. Tokyo is mentally exhausting.
The city’s massiveness is part of the phenomenon. It is, I believe, the largest urban sprawl in the world, with ~ 30 million inhabitants occupying a never-ending cityscape. During my 1.5 hour train ride from Narita Airport to "central Tokyo" (if you’ve been there, you know that concept is somewhat of a joke) I witnessed an uninterrupted agglomeration of buildings with no large parks, no fields, literally no break in the action. I've been to some of the city's tallest buildings but I've never seen the city's edge. Did Eduard Munch actually hail from Tokyo?
The simple act of taking a taxi in Tokyo encapsulates some of the key elements of this dislocation. First of all, you have no idea where you're going. The city is built on about as linear a plan as London; Baron Haussmann would have a seizure. As some of you know, I'm obsessed with maps but those two-dimensional props almost taunt you there. I take pride in my sense of direction, but in Tokyo I'm always lost; I hate being lost. Second, your taxi driver (who speaks no English) sort of knows where he's going - or maybe he doesn't. As happened a number of times during this trip, a local Japanese aide with a clear idea of where we wanted to go explained our destination to the driver for at least two whole minutes. Where I come from, an address is usually a pretty good indicator of where you want to go and if you don't know it exactly, a neighborhood will suffice to get you most of the way there. To make the whole exercise comical, WE ALWAYS HAVE A MAP of our exact destination printed off the web. However, an address and map still require minutes of pre-departure chat and the driver inevitably looks at the map a few times along the way. My favorite is when the driver slowly turns it 90 degrees four times in a row in order, I guess, to triangulate on the location. On this trip, we were taken to the wrong location only twice. And then there's ordering in restaurants.... We'll save that for an upcoming post.
This experience typically occurs with massive jet lag and a large time zone difference with home that makes connections with loved ones and colleagues hard to manage - oh so helped by the fact that standard cell phones and Blackberries don't work there. As far as I know, Tracy didn't FedEx any carpet squares to the hotel for my perusal.
For those of you who now think me (more) enthnocentric and unfit for even a Dennis Miller-quality rant, I reply that I appreciate to some degree Japan’s cultural history and it’s role within – and outside – world society and history; its island status in more than just geographic terms and its struggles – sometimes violent – in protecting a centuries-old culture that has some beautiful qualities. Not only do I know who fought in the Sino-Japanese war (and what years – do you?), I even saw that Tom Cruise movie where he somehow went from an American Wild West show to defending Japan against some of the original gaijin.
With all that, good lord, can they at least get the taxi drivers to get you where you want to go?
“Look, Kids! Big Ben, Parliament!”
It was a crisp, clear autumn day so afterwards we strolled down the street to St. James Park, which is largely the area between Big Ben and Buckingham Palace (and is also just a couple blocks from my office on Pall Mall). The leaves were changing and it was lovely for a stroll and taking in great views of London. There was also a nice little park where the boys could blow off some energy while Sarah rode on the swings.
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